Crave, a verb:
1. To long for; want greatly, desire eagerly
2. To require; need
A few months ago I debuted the first edition of CRAVE with a compilation of my virtual hoardings. You know all those pictures, articles, and posts you Like on social media? What happens to them? How many articles have you Liked and actually read? Did you ever buy that great new product you Liked? Most times, the answer is no. So, I began periodically reviewing my likes and bookmarking the information in a folder called Cravings.
In this edition of CRAVE, I’m sharing some of my latest cravings from a Saturday of shopping around New York City. A couple weekends ago, I was hosting some out-of-town company. We walked through the park, hopped onto the subway, and ventured out onto the streets of Soho with one destination in mind: The Reformation. Coincidentally, we’d both been eying dresses from the sustainable LA-based boutique. Next, I suggested we shop for accessories at Erica Weiner, a Brooklyn-based antique and vintage-inspired jewelry brand with a shop on the edge of Little Italy. After that, we let or instincts guide us and roamed based on the flow of the crosswalks. This landed us at our final destination: a below-ground shop with an interesting window display and a name we couldn’t resist: Fair Folks and a Goat. As we explored the wares, I was reminded of that spark you get when a store window catches your eye, you wander inside, and touch, feel, or taste things as opposed to just reading reviews or looking at images on a screen. It was then I realized how much I’d been craving a shopping experience offline.
Not in NYC, don’t worry! All of these retailers are all available online as well.
Pining for… the perfect LBD to take from day to night? Head to The Reformation and check out their collection of ribbed stretch jersey shift dresses. I opted for the Arly Dress in black. No matter which style you choose, it can easily be dressed down for daytime with flats and a crossbody or dressed up for nighttime with wedges and a clutch.
Yearning for… a unique conversation piece to wear to your next event? You need a Heartbeats necklace by Erica Weiner. I wore my Heartbeats necklace featuring the Talking Heads lyric “This must be the place” to a garden party a week after purchasing it, and nearly every person I chatted with that night remarked on the necklace and the quote.
FAIR FOLKS AND A GOAT
Longing for… the most functional bag to carry in the city or on your next trip? Let’s start a movement to revive the fanny pack, which has now been rebranded by Herschel as the hip pack. If you’ve ever lived or traveled in an urban environment like NYC, you know it’s essential to have a great bag that is functional and fashionable. I typically turn to my crossbody or occasionally a backpack, but I have to admit, the hip pack is the most aptly designed for pedestrian, city life.
Still craving more? Check out CRAVE: First Edition!
This project – a project very near and dear to my heart – my last ode to Mad Men – is now yesterday’s (or rather a week and a half ago’s) news. The buzz about the series finale has quieted to a whisper among die-hard fans or those behind on their DVRs. Everything I know about the Internet and blogging and Google and the immediacy and timeliness of it all tells me I need to let this project go and write it off as a series of unfortunate mishaps, time and money and energy I’ll never get back. But I refuse to let this project die in the depths of my external hard drive. So, without further ado, I present my final tribute to Mad Men: Marie in Manhattan, a short story of a woman whose life ran parallel to Peggy and Joan.
MARIE IN MANHATTAN
Marie moved to Manhattan in the fall of 1965, just a few weeks before her twenty-second birthday. She came to New York City with the hope of becoming a writer. To pay the bills, Marie took a job as a secretary. Although typing company memos and contracts wasn’t the best use of Marie’s written skills, she was a capable typist no matter what the content. Her personal record was 48 words per minute.
After nearly two years in New York, Marie hadn’t made much progress with her career, but she had made new friends and met a man, Paul Miller. Paul was an associate editor at The New Yorker, and he was certain he could make Marie a star. He told her she was the next Pauline Kael.
By the summer of 1968, Marie had her foot in the door at The New Yorker. They had published one of her short stories titled “The Dandy Game,” which was a witty anecdote about the life of a secretary in New York City. Before the piece was published, Paul pulled some strings, and Marie came into the office to meet with the Editor-in-Chief. “You’ve got a spark,” he said, “don’t lose it.”
On a warm Sunday in the spring of 1969, Paul proposed, and Marie said yes. Planning a wedding would be a welcome distraction from her career. Monday morning Marie returned to work. It didn’t take long for her co-workers to learn of her engagement. “Congratulations!” exclaimed Anna, whose desk was adjacent to Marie’s, “You don’t have to worry about being a writer anymore, you’ve got a ring!”
Shot on location in the Garment District of Manhattan courtesy of Breather.
My grandparents moved into the house on East 33rd Street in February of 1968. My mom was about to turn six, and her younger sister was only a month away from being born. My mom always says she remembers it vividly: my grandmother eight months pregnant, sitting under the shade of the awning on the front porch, directing the movers.
Forty-three years later, my grandmother decided it was time to leave this home and its original avocado-green fridge. I spent every Christmas in that house, even my first Christmas at one-month old. So for the Christmas of 2010, my family and I went there one final time.
My mom and I slowly made our way through the house, identifying the things we wanted. One night we were going through the mid-century modern highboy in the guest bedroom, her room growing up. In the bottom drawer, we came upon a treasure trove of costume jewelry my aunts had somehow missed. Among the baubles was a gold bangle.
In the summer of 2011, I was at my parent’s house, packing to move from Georgia for the first time, across the country to Madison, WI. In the background, I was re-watching Mad Men. I looked up from the pile of clothes I was folding and placing in boxes, dropped what I was doing, and darted toward the T.V. I paused the episode and immediately called my grandmother. Joan was wearing the gold bangle.
As silly as it sounds, I’ve come to treasure the bangle even more ever since I discovered Joan wearing it. I always knew the bangle was genuinely vintage, but for some reason, knowing costume designer Janie Bryant deemed it worthy for Mad Men makes it all the more authentic.
Note: I attempted to remember and locate the original episode in which Joan wears the gold bangle, but unfortunately, I wasn’t able to do so before publishing this post. Now I have a good excuse to re-watch the entire series and report back! However, Joan wears the bangle again in the final season, episode 12.
“Costume is all about developing characters and telling a story.” – Academy Award winning costume designer Angus Strathie
The year is 1937. You’re twenty nine years old, a young mother in your prime. By a twist of fate (and a little magic), your body miraculously stops aging. For the rest of time, you’ll experience the world in a young woman’s figure, but you’ll grow into an old soul.
“Adaline is somebody who has an incredible wardrobe. She’s dressed a little more conservatively because she’s not 29, she’s a hundred.” – Blake Lively
The year is 1976. Although your life is anything but ordinary, you’re still just like any other woman. You find it hard to resist the latest fashions. As the decades go by, your wardrobe is evolving into an archive of memories and moments, past experiences and people.
“Since the piece took place over almost a century, it was extra challenging to be able to find all those periods and all those moods and all those emotions of this character.” – Angus Strathie
The year is 2015. For seventy-eight years, you’ve had to define and re-define yourself, often through what you wore. Each article of clothing holds a sentiment and tells a story of a particular time, a particular version of you. Sometimes, when you head to the closet to get dressed, you find yourself wearing something from every decade.
“What we felt was right was to actually incorporate those vintage pieces into her contemporary look. The 2015 look is contemporary clothes mixed with vintage pieces or vintage accessories.” – Angus Strathie
We all have a relationship with our clothes. After imagining yourself as Adaline, a woman who has lived for almost a century, consider how deep that connection might be with certain articles of clothing. This is how costume designer Angus Strathie employs fashion to enhance Adaline’s story in The Age of Adaline. With a variety of styles and silhouettes from nearly ten decades at his disposal, Strathie makes use of color, pattern, and accessories to reflect Adaline’s character in her wardrobe.
In both flashbacks and present day, variations of red, blue, and black are dominant in Adaline’s wardrobe. I believe Strathie focused on this palette because each color represents a piece of Adaline’s story. Red hues carry a spectrum of meaning, anywhere from danger to love. Because of Adaline’s unique condition, she’s forced to conceal her identity and lives with the constant threat of being discovered. Adaline also spends her life grappling with relationships. Her secret prevents her from allowing herself to build deep connections or fall in love. The color blue continues to illustrate Adaline’s struggle. Blue is often associated with sadness and loneliness. It’s also a color that’s rarely found in nature, much like the miracle of Adaline’s agelessness. Finally, black represents Adaline’s mystery and intrigue. While her beauty is alluring, Adaline internalizes a great deal of vulnerability and insecurity because of her secret. Keeping people at arm’s length to hide her truth proves to make Adaline’s story even more interesting.
Strathie also uses pattern, specifically florals, to characterize Adaline and develop her story. Flowers symbolize growth and renewal. They’re often given as a sentiment at milestones throughout our lives: birth, marriage, holidays, and ultimately death. Because of her inability to age, Adaline circumvents the typical human life cycle, and she must constantly reinvent herself to hide her true identity. Flowers represent the normalcy Adaline so intensely desires.
Adaline’s collection of clothing and accessories helps to keep her grounded despite the lack of stability and consistency in her life. Strathie uses a particularly unique accessory as a signature for Adaline’s look: the scarf. Scarves were a popular accessory in the first half of the twentieth century, during Adaline’s true youth. Although they’re a more unusual contemporary accessory, scarves remain a part of Adaline’s style in present day. For Adaline, the past feels never-ending, but her scarves signify a time when she was purely young at heart.
Strathie’s costume design in The Age of Adaline beautifully illustrates the connection between clothing and storytelling. Whether you’re a wardrobe stylist working with an individual, an editorial stylist working on a campaign, or a costume designer working to develop a character, fashion is a way to express a narrative. Clothing is a part of our daily lives, from what we wear to the magazines we read to the films we see. Most of the time, we don’t realize the impact clothing has on our interpretation of a person or character. However, the saying, “clothing speaks louder than words,” is often true. Within a single article of clothing, an outfit, or a closet, there’s a story.
The Age of Adaline debuts in theaters nationwide this Friday, April 24, 2015.
I don’t know about you, but for me, this week is going to be crazy! Full of travel, events, my man’s birthday, and out of town company for the holiday weekend in addition to the usual client meetings, work, and of course AOC Blog! So, I’ll be coming to you with some quick posts! Today I absolutely MUST share with you a limited time event: Nasty Gal’s eBay Auction!
Sophia Amoruso aka #GIRLBOSS aka The Original Nasty Gal is getting back to her roots with an event on eBay. In June 2008 (almost six ears ago!), Amoruso grew her thriving eBay shop, Nasty Gal Vintage, into the impressive empire we know today as Nasty Gal. Amoruso is revisiting her beginnings with an auction of extraordinary designer vintage pieces right from her own closet. The proceeds will go her latest venture, The #GIRLBOSS Foundation, a nonprofit Amoruso is launching in conjunction with her first book, #GIRLBOSS (yes, this girl is on fire!). It’s really all quite poetic. The #GIRLBOSS Foundation’s mission is to empower the next generation of female entrepreneurs in the creative community through a distinctive grants program that provides women in the fields of design, fashion, music, and the arts with the financial support to achieve their goals. The auction began yesterday and will run for the next ten days, ending Thursday, May 29. Below are some of my favorite pieces, available for bid now!